Summary

The online music streaming market was valued at $17,732.9 million in 2024 and is estimated to reach $52,565.8 million by 2034, exhibiting a CAGR of 11.6% from 2025 to 2034.
Online music streaming is the process of listening to music through the internet without downloading the songs. Users can play songs, albums, or playlists directly from websites or apps on phones, computers, smart speakers, or other connected devices. Music is sent in small parts from remote servers, which allows playback to begin almost instantly. The sound quality adjusts automatically based on internet speed to keep the music playing smoothly. Online music streaming offers access to large music libraries through free or paid services, which makes it easy to listen as per user convenience.

The rise in popularity of subscription-based models has significantly increased demand in the global online music streaming market by offering users an affordable and uninterrupted listening experience. Unlike ad-supported models, subscription services provide high-quality audio, offline access, and curated playlists, which attract users seeking convenience and premium features.
Platforms such as Spotify, Apple Music, and Amazon Music have seen consistent growth in paying subscribers, driven by monthly pricing plans that cater to various income levels and usage patterns. The flexibility of individual, student, and family plans has widened adoption across demographics, which has encouraged users to shift from free to paid tiers. Thus, subscription-based services remain the primary revenue driver, offering ad-free and high-quality audio experiences. Bundling of music with podcasts, audiobooks, and podcasts is also a strong engagement tool. Platforms are increasingly offering live video performances, virtual concerts, and interactive content, alongside user-generated music videos and shared playlists, thus enhancing community engagement and retention.

Emerging trends and innovation continue to help key market players remain competitive in the market. Platforms such as Spotify and others are exploring direct licensing and higher royalty structures to address artist concerns, which is exacerbated by the rise of AI-generated content. AI and Machine Learning power hyper-personalization, from mood-based playlists and “AI DJs” to dynamic recommendations, thus boosting user engagement.
The online music streaming market is divided into service, revenue model, platform, end user, content type, and region. By service, the market is segmented into on-demand streaming, and live streaming. By revenue model, the market is bifurcated into subscription and non-subscription. By platform, the market is categorized into app and browser. By end user, the market is fragmented into individual and commercial. By content type, the market is segregated into audio and video. By region, the market is analyzed across North America, Europe, Asia-Pacific, and LAMEA.

Key Findings of the Study
By service, the on-demand streaming segment was the highest revenue contributor to the market in 2024.
By revenue model, the subscription segment was the largest segment in 2024.
By platform, the app segment dominated the global online music streaming market in 2024.
By end user, the individual segment was the leading segment in 2024.
By content type, the audio segment was the largest segment in 2024.
Region-wise, North America was the highest revenue contributor in 2024.
The key players operating in the global online music streaming industry include Amazon, Inc. (Amazon Music), Anghami, Apple, Inc. (Apple Music), Deezer, iHeartMedia Inc., NetEase, Inc. (NetEase Cloud Music), Pandora Media, LLC, Spotify AB, TIDAL, and Tencent Music Entertainment.

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● Go To Market Strategy
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● Additional country or region analysis- market size and forecast
● Criss-cross segment analysis- market size and forecast
● Expanded list for Company Profiles
● Historic market data
● Key player details (including location, contact details, supplier/vendor network etc. in excel format)
● List of customers/consumers/raw material suppliers- value chain analysis
● SWOT Analysis

Key Market Segments
By Service
● On-demand streaming
● Live streaming
By Revenue Model
● Subscription
● Non-subscription

By Platform
● App
● Browser

By End-User
● Commercial
● Individual

By Content Type
●Audio
● Video

By Region
● North America
○ U.S.
○ Canada
○ Mexico
● Europe
○ UK
○ Germany
○ France
○ Netherlands
○ Italy
○ Spain
○ Rest of Europe
● Asia-Pacific
○ China
○ Japan
○ India
○ South Korea
○ Australia
○ Rest of Asia-Pacific
● LAMEA
○ Brazil
○ Argentina
○ South Africa
○ Saudi Arabia
○ UAE
○ Rest of LAMEA

● Key Market Players
○ Apple, Inc.
○ Tencent Music Entertainment
○ NetEase, Inc.
○ iHeartMedia, Inc.
○ Spotify AB
○ Amazon
○ Anghami
○ Deezer
○ Tidal
○ Pandora Media, LLC

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Table of Contents

CHAPTER 1: INTRODUCTION

1.1. Report description


1.2. Key market segments


1.3. Key benefits to the stakeholders


1.4. Research methodology

1.4.1. Primary research


1.4.2. Secondary research


1.4.3. Analyst tools and models


CHAPTER 2: EXECUTIVE SUMMARY

2.1. CXO perspective


CHAPTER 3: MARKET OVERVIEW

3.1. Market definition and scope


3.2. Key findings

3.2.1. Top impacting factors


3.2.2. Top investment pockets


3.3. Porter’s five forces analysis
3.3.1. Moderate to high bargaining power of suppliers

3.3.2. Moderate threat of new entrants

3.3.3. Moderate threat of substitutes

3.3.4. Moderate intensity of rivalry

3.3.5. Moderate bargaining power of buyers

3.4. Market dynamics

3.4.1. Drivers

3.4.1.1. Rise in popularity of subscription-based models

3.4.1.2. Integration of music streaming apps with smart devices and wearables

3.4.1.3. Growth in podcast and live audio streaming

3.4.2. Restraints

3.4.2.1. Regulatory challenges regarding cross-border content

3.4.2.2. Competition from piracy and illegal downloads

3.4.3. Opportunities

3.4.3.1. Blockchain for transparent royalty payments and digital rights

3.4.3.2. Growth in AI-generated and adaptive music

CHAPTER 4: ONLINE MUSIC STREAMING MARKET, BY SERVICE
4.1. Overview

4.1.1. Market size and forecast

4.2. On-demand streaming
4.2.1. Key market trends, growth factors and opportunities

4.2.2. Market size and forecast, by region

4.2.3. Market share analysis by country

4.3. Live streaming
4.3.1. Key market trends, growth factors and opportunities

4.3.2. Market size and forecast, by region

4.3.3. Market share analysis by country

CHAPTER 5: ONLINE MUSIC STREAMING MARKET, BY REVENUE MODEL
5.1. Overview

5.1.1. Market size and forecast

5.2. Subscription
5.2.1. Key market trends, growth factors and opportunities

5.2.2. Market size and forecast, by region

5.2.3. Market share analysis by country

5.3. Non-subscription
5.3.1. Key market trends, growth factors and opportunities

5.3.2. Market size and forecast, by region

5.3.3. Market share analysis by country

CHAPTER 6: ONLINE MUSIC STREAMING MARKET, BY PLATFORM
6.1. Overview

6.1.1. Market size and forecast

6.2. App
6.2.1. Key market trends, growth factors and opportunities

6.2.2. Market size and forecast, by region

6.2.3. Market share analysis by country

6.3. Browser
6.3.1. Key market trends, growth factors and opportunities

6.3.2. Market size and forecast, by region

6.3.3. Market share analysis by country

CHAPTER 7: ONLINE MUSIC STREAMING MARKET, BY END-USER
7.1. Overview

7.1.1. Market size and forecast

7.2. Individual
7.2.1. Key market trends, growth factors and opportunities

7.2.2. Market size and forecast, by region

7.2.3. Market share analysis by country

7.3. Commercial
7.3.1. Key market trends, growth factors and opportunities

7.3.2. Market size and forecast, by region

7.3.3. Market share analysis by country

CHAPTER 8: ONLINE MUSIC STREAMING MARKET, BY CONTENT TYPE
8.1. Overview

8.1.1. Market size and forecast

8.2. Audio
8.2.1. Key market trends, growth factors and opportunities

8.2.2. Market size and forecast, by region

8.2.3. Market share analysis by country

8.3. Video
8.3.1. Key market trends, growth factors and opportunities

8.3.2. Market size and forecast, by region

8.3.3. Market share analysis by country

CHAPTER 9: ONLINE MUSIC STREAMING MARKET, BY REGION
9.1. Overview

9.1.1. Market size and forecast By Region

9.2. North America
9.2.1. Key market trends, growth factors and opportunities

9.2.2. Market size and forecast, by Service

9.2.3. Market size and forecast, by Revenue Model

9.2.4. Market size and forecast, by Platform

9.2.5. Market size and forecast, by End-User

9.2.6. Market size and forecast, by Content Type

9.2.7. Market size and forecast, by country
9.2.7.1. U.S.

9.2.7.1.1. Market size and forecast, by Service
9.2.7.1.2. Market size and forecast, by Revenue Model
9.2.7.1.3. Market size and forecast, by Platform
9.2.7.1.4. Market size and forecast, by End-User
9.2.7.1.5. Market size and forecast, by Content Type

9.2.7.2. Canada

9.2.7.2.1. Market size and forecast, by Service
9.2.7.2.2. Market size and forecast, by Revenue Model
9.2.7.2.3. Market size and forecast, by Platform
9.2.7.2.4. Market size and forecast, by End-User
9.2.7.2.5. Market size and forecast, by Content Type

9.2.7.3. Mexico

9.2.7.3.1. Market size and forecast, by Service
9.2.7.3.2. Market size and forecast, by Revenue Model
9.2.7.3.3. Market size and forecast, by Platform
9.2.7.3.4. Market size and forecast, by End-User
9.2.7.3.5. Market size and forecast, by Content Type

9.3. Europe
9.3.1. Key market trends, growth factors and opportunities

9.3.2. Market size and forecast, by Service

9.3.3. Market size and forecast, by Revenue Model

9.3.4. Market size and forecast, by Platform

9.3.5. Market size and forecast, by End-User

9.3.6. Market size and forecast, by Content Type

9.3.7. Market size and forecast, by country
9.3.7.1. UK

9.3.7.1.1. Market size and forecast, by Service
9.3.7.1.2. Market size and forecast, by Revenue Model
9.3.7.1.3. Market size and forecast, by Platform
9.3.7.1.4. Market size and forecast, by End-User
9.3.7.1.5. Market size and forecast, by Content Type

9.3.7.2. Germany

9.3.7.2.1. Market size and forecast, by Service
9.3.7.2.2. Market size and forecast, by Revenue Model
9.3.7.2.3. Market size and forecast, by Platform
9.3.7.2.4. Market size and forecast, by End-User
9.3.7.2.5. Market size and forecast, by Content Type

9.3.7.3. France

9.3.7.3.1. Market size and forecast, by Service
9.3.7.3.2. Market size and forecast, by Revenue Model
9.3.7.3.3. Market size and forecast, by Platform
9.3.7.3.4. Market size and forecast, by End-User
9.3.7.3.5. Market size and forecast, by Content Type

9.3.7.4. Netherlands

9.3.7.4.1. Market size and forecast, by Service
9.3.7.4.2. Market size and forecast, by Revenue Model
9.3.7.4.3. Market size and forecast, by Platform
9.3.7.4.4. Market size and forecast, by End-User
9.3.7.4.5. Market size and forecast, by Content Type

9.3.7.5. Italy

9.3.7.5.1. Market size and forecast, by Service
9.3.7.5.2. Market size and forecast, by Revenue Model
9.3.7.5.3. Market size and forecast, by Platform
9.3.7.5.4. Market size and forecast, by End-User
9.3.7.5.5. Market size and forecast, by Content Type

9.3.7.6. Spain

9.3.7.6.1. Market size and forecast, by Service
9.3.7.6.2. Market size and forecast, by Revenue Model
9.3.7.6.3. Market size and forecast, by Platform
9.3.7.6.4. Market size and forecast, by End-User
9.3.7.6.5. Market size and forecast, by Content Type

9.3.7.7. Rest of Europe

9.3.7.7.1. Market size and forecast, by Service
9.3.7.7.2. Market size and forecast, by Revenue Model
9.3.7.7.3. Market size and forecast, by Platform
9.3.7.7.4. Market size and forecast, by End-User
9.3.7.7.5. Market size and forecast, by Content Type

9.4. Asia-Pacific
9.4.1. Key market trends, growth factors and opportunities

9.4.2. Market size and forecast, by Service

9.4.3. Market size and forecast, by Revenue Model

9.4.4. Market size and forecast, by Platform

9.4.5. Market size and forecast, by End-User

9.4.6. Market size and forecast, by Content Type

9.4.7. Market size and forecast, by country
9.4.7.1. China

9.4.7.1.1. Market size and forecast, by Service
9.4.7.1.2. Market size and forecast, by Revenue Model
9.4.7.1.3. Market size and forecast, by Platform
9.4.7.1.4. Market size and forecast, by End-User
9.4.7.1.5. Market size and forecast, by Content Type

9.4.7.2. Japan

9.4.7.2.1. Market size and forecast, by Service
9.4.7.2.2. Market size and forecast, by Revenue Model
9.4.7.2.3. Market size and forecast, by Platform
9.4.7.2.4. Market size and forecast, by End-User
9.4.7.2.5. Market size and forecast, by Content Type

9.4.7.3. India

9.4.7.3.1. Market size and forecast, by Service
9.4.7.3.2. Market size and forecast, by Revenue Model
9.4.7.3.3. Market size and forecast, by Platform
9.4.7.3.4. Market size and forecast, by End-User
9.4.7.3.5. Market size and forecast, by Content Type

9.4.7.4. South Korea

9.4.7.4.1. Market size and forecast, by Service
9.4.7.4.2. Market size and forecast, by Revenue Model
9.4.7.4.3. Market size and forecast, by Platform
9.4.7.4.4. Market size and forecast, by End-User
9.4.7.4.5. Market size and forecast, by Content Type

9.4.7.5. Australia

9.4.7.5.1. Market size and forecast, by Service
9.4.7.5.2. Market size and forecast, by Revenue Model
9.4.7.5.3. Market size and forecast, by Platform
9.4.7.5.4. Market size and forecast, by End-User
9.4.7.5.5. Market size and forecast, by Content Type

9.4.7.6. Rest of Asia-Pacific

9.4.7.6.1. Market size and forecast, by Service
9.4.7.6.2. Market size and forecast, by Revenue Model
9.4.7.6.3. Market size and forecast, by Platform
9.4.7.6.4. Market size and forecast, by End-User
9.4.7.6.5. Market size and forecast, by Content Type

9.5. LAMEA
9.5.1. Key market trends, growth factors and opportunities

9.5.2. Market size and forecast, by Service

9.5.3. Market size and forecast, by Revenue Model

9.5.4. Market size and forecast, by Platform

9.5.5. Market size and forecast, by End-User

9.5.6. Market size and forecast, by Content Type

9.5.7. Market size and forecast, by country
9.5.7.1. Brazil

9.5.7.1.1. Market size and forecast, by Service
9.5.7.1.2. Market size and forecast, by Revenue Model
9.5.7.1.3. Market size and forecast, by Platform
9.5.7.1.4. Market size and forecast, by End-User
9.5.7.1.5. Market size and forecast, by Content Type

9.5.7.2. Argentina

9.5.7.2.1. Market size and forecast, by Service
9.5.7.2.2. Market size and forecast, by Revenue Model
9.5.7.2.3. Market size and forecast, by Platform
9.5.7.2.4. Market size and forecast, by End-User
9.5.7.2.5. Market size and forecast, by Content Type

9.5.7.3. South Africa

9.5.7.3.1. Market size and forecast, by Service
9.5.7.3.2. Market size and forecast, by Revenue Model
9.5.7.3.3. Market size and forecast, by Platform
9.5.7.3.4. Market size and forecast, by End-User
9.5.7.3.5. Market size and forecast, by Content Type

9.5.7.4. Saudi Arabia

9.5.7.4.1. Market size and forecast, by Service
9.5.7.4.2. Market size and forecast, by Revenue Model
9.5.7.4.3. Market size and forecast, by Platform
9.5.7.4.4. Market size and forecast, by End-User
9.5.7.4.5. Market size and forecast, by Content Type

9.5.7.5. UAE

9.5.7.5.1. Market size and forecast, by Service
9.5.7.5.2. Market size and forecast, by Revenue Model
9.5.7.5.3. Market size and forecast, by Platform
9.5.7.5.4. Market size and forecast, by End-User
9.5.7.5.5. Market size and forecast, by Content Type

9.5.7.6. Rest of LAMEA

9.5.7.6.1. Market size and forecast, by Service
9.5.7.6.2. Market size and forecast, by Revenue Model
9.5.7.6.3. Market size and forecast, by Platform
9.5.7.6.4. Market size and forecast, by End-User
9.5.7.6.5. Market size and forecast, by Content Type

CHAPTER 10: COMPETITIVE LANDSCAPE
10.1. Introduction

10.2. Top winning strategies

10.3. Product mapping of top 10 player

10.4. Competitive dashboard

10.5. Competitive heatmap

10.6. Top player positioning, 2024

CHAPTER 11: COMPANY PROFILES
11.1. Amazon
11.1.1. Company overview

11.1.2. Key executives

11.1.3. Company snapshot

11.1.4. Operating business segments

11.1.5. Product portfolio

11.1.6. Business performance

11.1.7. Key strategic moves and developments

11.2. Anghami
11.2.1. Company overview

11.2.2. Key executives

11.2.3. Company snapshot

11.2.4. Operating business segments

11.2.5. Product portfolio

11.2.6. Key strategic moves and developments

11.3. Apple, Inc.
11.3.1. Company overview

11.3.2. Key executives

11.3.3. Company snapshot

11.3.4. Operating business segments

11.3.5. Product portfolio

11.3.6. Business performance

11.3.7. Key strategic moves and developments

11.4. Deezer
11.4.1. Company overview

11.4.2. Key executives

11.4.3. Company snapshot

11.4.4. Operating business segments

11.4.5. Product portfolio

11.4.6. Business performance

11.4.7. Key strategic moves and developments

11.5. iHeartMedia, Inc.
11.5.1. Company overview

11.5.2. Key executives

11.5.3. Company snapshot

11.5.4. Operating business segments

11.5.5. Product portfolio

11.5.6. Business performance

11.5.7. Key strategic moves and developments

11.6. NetEase, Inc.
11.6.1. Company overview

11.6.2. Key executives

11.6.3. Company snapshot

11.6.4. Operating business segments

11.6.5. Product portfolio

11.6.6. Business performance

11.6.7. Key strategic moves and developments

11.7. Pandora Media, LLC
11.7.1. Company overview

11.7.2. Key executives

11.7.3. Company snapshot

11.7.4. Operating business segments

11.7.5. Product portfolio

11.7.6. Business performance

11.8. Spotify AB
11.8.1. Company overview

11.8.2. Key executives

11.8.3. Company snapshot

11.8.4. Operating business segments

11.8.5. Product portfolio

11.8.6. Business performance

11.9. Tidal
11.9.1. Company overview

11.9.2. Key executives

11.9.3. Company snapshot

11.9.4. Operating business segments

11.9.5. Product portfolio

11.10. Tencent Music Entertainment
11.10.1. Company overview

11.10.2. Key executives

11.10.3. Company snapshot

11.10.4. Operating business segments

11.10.5. Product portfolio

11.10.6. Business performance