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世界の音楽制作用ソフトウェア市場 2018-2022年

Global Music Production Software Market 2018-2022

IRTNTR22774

 

出版社 出版年月電子版価格 ページ数
TechNavio
テクナビオ
2018年7月US$2,500
シングルユーザライセンス
113

サマリー

この調査レポートは世界の音楽制作用ソフトウェア市場を分析・予測したTechNavioの市場調査報告書です。

Description

About Music Production Software
Music production software also known as a digital audio workstation (DAW) is used for music composition, digital recording, creating electronic music and other musical applications.

Technavio’s analysts forecast the global music production software market to grow at a CAGR of 8.65% during the period 2018-2022.

Covered in this report
The report covers the present scenario and the growth prospects of the global music production software market for 2018-2022. To calculate the market size, the report considers the revenue generated from the sales of music production software across several end-user industries.

The market is divided into the following segments based on geography:
- Americas
- APAC
- EMEA

Technavio's report, Global Music Production Software Market 2018-2022, has been prepared based on an in-depth market analysis with inputs from industry experts. The report covers the market landscape and its growth prospects over the coming years. The report also includes a discussion of the key vendors operating in this market.

Key vendors
- Ableton
- Adobe
- Apple
- Avid
- MAGIX

Market driver
- Growing number of live music events
- For a full, detailed list, view our report

Market challenge
- High skill level required and piracy issues
- For a full, detailed list, view our report

Market trend
- Growing popularity among non-professional users
- For a full, detailed list, view our report

Key questions answered in this report
- What will the market size be in 2022 and what will the growth rate be?
- What are the key market trends?
- What is driving this market?
- What are the challenges to market growth?
- Who are the key vendors in this market space?

You can request one free hour of our analyst’s time when you purchase this market report. Details are provided within the report.



目次

PART 01: EXECUTIVE SUMMARY
PART 02: SCOPE OF THE REPORT
PART 03: RESEARCH METHODOLOGY
PART 04: MARKET LANDSCAPE
- Market ecosystem
- Market characteristics
- Market segmentation analysis
PART 05: MARKET SIZING
- Market definition
- Market sizing 2017
- Market size and forecast 2017-2022
PART 06: FIVE FORCES ANALYSIS
- Bargaining power of buyers
- Bargaining power of suppliers
- Threat of new entrants
- Threat of substitutes
- Threat of rivalry
- Market condition
PART 07: MARKET SEGMENTATION BY TYPE
- Segmentation by type
- Comparison by type
- Editing - Market size and forecast 2017-2022
- Mixing - Market size and forecast 2017-2022
- Recording - Market size and forecast 2017-2022
- Market opportunity by type
PART 08: MARKET SEGMENTATION BY END-USER
- Segmentation by end-user
- Comparison by end-user
- Professional - Market size and forecast 2017-2022
- Casual - Market size and forecast 2017-2022
- Market opportunity by end-user
PART 09: CUSTOMER LANDSCAPE
PART 10: REGIONAL LANDSCAPE
- Geographical segmentation
- Regional comparison
- Americas - Market size and forecast 2017-2022
- EMEA - Market size and forecast 2017-2022
- APAC - Market size and forecast 2017-2022
- Market opportunity
PART 11: DECISION FRAMEWORK
PART 12: DRIVERS AND CHALLENGES
- Market drivers
- Market challenges
PART 13: MARKET TRENDS
- Growing use of AI by start-ups to compose music
- High market entry barriers for new vendors
- Growing popularity among non-professional users
PART 14: VENDOR LANDSCAPE
- Overview
- Landscape disruption
- Competitive scenario
PART 15: VENDOR ANALYSIS
- Vendors covered
- Vendor classification
- Market positioning of vendors
- Ableton
- Adobe
- Apple
- Avid
- MAGIX
PART 16: APPENDIX
- List of abbreviations
Exhibit 01: Parent market
Exhibit 02: Global music market
Exhibit 03: Market characteristics
Exhibit 04: Market segments
Exhibit 05: Market definition - Inclusions and exclusions checklist
Exhibit 06: Market size 2017
Exhibit 07: Validation techniques employed for market sizing 2017
Exhibit 08: Global - Market size and forecast 2017-2022 ($ mn)
Exhibit 09: Global - Year-over-year growth 2018-2022 (%)
Exhibit 10: Five forces analysis 2017
Exhibit 11: Five forces analysis 2022
Exhibit 12: Bargaining power of buyers
Exhibit 13: Bargaining power of suppliers
Exhibit 14: Threat of new entrants
Exhibit 15: Threat of substitutes
Exhibit 16: Threat of rivalry
Exhibit 17: Market condition - Five forces 2017
Exhibit 18: Type - Market share 2017-2022 (%)
Exhibit 19: Comparison by type
Exhibit 20: Editing - Market size and forecast 2017-2022 ($ mn)
Exhibit 21: Editing - Year-over-year growth 2018-2022 (%)
Exhibit 22: Mixing - Market size and forecast 2017-2022 ($ mn)
Exhibit 23: Mixing - Year-over-year growth 2018-2022 (%)
Exhibit 24: Recording - Market size and forecast 2017-2022 ($ mn)
Exhibit 25: Recording - Year-over-year growth 2018-2022 (%)
Exhibit 26: Market opportunity by type
Exhibit 27: End-user - Market share 2017-2022 (%)
Exhibit 28: Comparison by end-user
Exhibit 29: Professional - Market size and forecast 2017-2022 ($ mn)
Exhibit 30: Professional - Year-over-year growth 2018-2022 (%)
Exhibit 31: Casual - Market size and forecast 2017-2022 ($ mn)
Exhibit 32: Casual - Year-over-year growth 2018-2022 (%)
Exhibit 33: Market opportunity by end-user
Exhibit 34: Customer landscape
Exhibit 35: Global - Market share by geography 2017-2022 (%)
Exhibit 36: Regional comparison
Exhibit 37: Americas - Market size and forecast 2017-2022 ($ mn)
Exhibit 38: Americas - Year-over-year growth 2018-2022 (%)
Exhibit 39: Top 3 countries in Americas
Exhibit 40: EMEA - Market size and forecast 2017-2022 ($ mn)
Exhibit 41: EMEA - Year-over-year growth 2018-2022 (%)
Exhibit 42: Top 3 countries in EMEA
Exhibit 43: APAC - Market size and forecast 2017-2022 ($ mn)
Exhibit 44: APAC - Year-over-year growth 2018-2022 (%)
Exhibit 45: Top 3 countries in APAC
Exhibit 46: Market opportunity
Exhibit 47: Independent musicians vs. employed musicians 2005 and 2017
Exhibit 48: Percentage of population taking at least one music class during their lifetime 1990-2017
Exhibit 49: Vendor landscape
Exhibit 50: Landscape disruption
Exhibit 51: Vendors covered
Exhibit 52: Vendor classification
Exhibit 53: Market positioning of vendors
Exhibit 54: Ableton - Overview
Exhibit 55: Ableton - Business segments
Exhibit 56: Ableton - Organizational developments
Exhibit 57: Ableton - Key offerings
Exhibit 58: Adobe - Overview
Exhibit 59: Adobe - Business segments
Exhibit 60: Adobe - Organizational developments
Exhibit 61: Adobe - Geographic focus
Exhibit 62: Adobe - Segment focus
Exhibit 63: Adobe - Key offerings
Exhibit 64: Apple - Overview
Exhibit 65: Apple - Business segments
Exhibit 66: Apple - Organizational developments
Exhibit 67: Apple - Geographic focus
Exhibit 68: Apple - Key offerings
Exhibit 69: Avid - Overview
Exhibit 70: Avid - Business segments
Exhibit 71: Avid - Organizational developments
Exhibit 72: Avid - Geographic focus
Exhibit 73: Avid - Segment focus
Exhibit 74: Avid - Key offerings
Exhibit 75: MAGIX - Overview
Exhibit 76: MAGIX - Business segments
Exhibit 77: MAGIX - Organizational developments
Exhibit 78: MAGIX - Key offerings

 

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